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November 19, 2009
Full Gallery AIL World Championships 2009
I shot over 400 more photos at Woodward for the AIL World Championships. Click this image to see the full gallery and even order prints of the images you like.
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October 29, 2009
AIL World Championships 2009
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1. Yuto Goto
2. Sean Cowen
3. Tad Tregeagle
4. Wake Shepman
5. Taylor Latouche
6. Louis Soares
7. Craig Brockelhurst
8. Harbor Bickmore
9. Zach Nelson
10. Will Jamieson



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
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
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
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

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These boys went on to skate in Sundays Pro & Elite division of the competition for a $3000 prize purse. After an afternoon of all around amazing skating, the top three riders were; 1st- Julian Cudot- $1500, 2nd- Yuto Goto- $1000, and 3rd- Stephane Alfono- $500. Although there was amazing skating on all levels of this event, the most impressive skating was during the Best Trick battle. This event winded down to Eric Baily with his Sweaty 360 Top Soul over the Golden Arches vs. Stephane Alfano and his 540 disaster TTS from quarter to quarter. The judges were so blown away by the this Frenchman with his huge disaster tricks and the smooth American that they settled on a even draw between the two.
Anyone who was not able to make it out to this event should make a point to come next year. There is a thriving community of rollerbladers throughout this world, and it is event like this that make our world as rollers seem a little smaller. Mad props and respect to Pam and Richie Velasquez for making events like this come to life. And also to Matt Mickey and Arlo Eisenberg for keeping the crowed alive on the mic! -- Scott Moffat
October 23, 2009
Studio Product Photography
It has been nice coming back to school after taking a session off. I just finished my Lighting Studio class this week. Learned a lot of really useful technique in this class. The studio is no longer at intimidating a it used to be, I feel as though I can now take full advantage of what it has to offer my photography. I also learned a lot about reflections, highlights, and incident angles, all of which contribute to a great image. Here are some shots that I did for class.
These were all shot on Black Glass, which is a really creative surface to shoot on. When shooting on black glass, everything under my product is a reflection of what is behind the tabletop that I am shooting on.
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I had a 1 product 4 backgrounds assignment as well, and I shot these S4 Snowboard Goggles.
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
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These last two images are exactly the same, I just put gels over the lights.
The images below are some extra credit work that I did last minute.
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These were all shot on Black Glass, which is a really creative surface to shoot on. When shooting on black glass, everything under my product is a reflection of what is behind the tabletop that I am shooting on.





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I had a 1 product 4 backgrounds assignment as well, and I shot these S4 Snowboard Goggles.

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


These last two images are exactly the same, I just put gels over the lights.
The images below are some extra credit work that I did last minute.
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September 19, 2009
Night Lights
Shooting at night is one of my favorite things to do. There is no longer a vast bast of ambient light falling over everything around you, just little splashes and streaks here and there that catch my attention. Mos of the time I am shooting time exposures for multiple seconds to get the lighting that I have envisioned. Freeways are one of my favorite locations because every single car has it's own set of lights that sip around with it wherever it goes, creating streaks of light. I think that makes a road look much more interesting, but that's just me. Something I have only touched on a little is slowing my shutter just to the point where the moving object become blurred, like in the LAX Traffic photo. Other times my exposures are so long that the moving objects in the frame disappear entirely. These are a compilation of the Night Lights that I have captured over the past year.
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
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
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